Peer Reviewed Journal Articles

Broderick D.V. Chow, ‘A Professional Body: Remembering, Repeating and Working Out Masculinities in fin-de-siècle physical culture’, Performance Research 20:5 (forthcoming, in press)

Broderick D.V. Chow, ‘Here is a story for me: representation and visibility in Miss Saigon and The Orphan of Zhao’, Contemporary Theatre Review 24: 4 (2014), pp. 507-516, doi: 10.1080/10486801.2014.946919 (Link – requires institutional access).

Broderick D.V. Chow, ‘An Actor Manages: Actor Training and Managerial Ideology’, Theatre, Dance and Performance Training 5: 2 (2014), pp. 131-143, doi: 10.1080/19443927.2014.908141 (Link – requires institutional access)

Broderick D.V. Chow and Eero Laine, ‘Audience Affirmation and the Labour of Professional Wrestling’, Performance Research 19: 2 (2014), pp. 44-53, doi: 10.1080/13528165.2014.928516 (Link – requires institutional access)

Broderick D.V. Chow, ‘Work and Shoot: Professional Wrestling and Embodied Politics’, TDR: The Drama Review 58: 2 (2014), pp. 72-86, doi: 10.1162/DRAM_a_00347 (Link – requires institutional access)

Broderick D.V. Chow, ‘Time + Materials: Choreographic Experiments with Labour and Finance in The Dangerologists’ Work Songs’, Choreographic Practices 4: 1 (2013), pp. 75-94, doi: 10.1386/chor.4.1.75_1 (Link – requires institutional access)

Broderick D.V. Chow, ‘Parkour and the critique of ideology’, Journal of Dance and Somatic Practices. 2: 2 (2011), pp. 141-152 , doi: 10.1386/jdsp.2.2.143_1 (Link – requires institutional access)

Edited Collections

Broderick D.V. Chow, Eero Laine, and Claire Warden (eds), Performance and Professional Wrestling (London: Routledge, 2016) (forthcoming, under contract)

Broderick D.V. Chow and Alex Mangold (eds), Žižek and Performance (London: Palgrave Macmillan, 2014)

Book Chapters 

Broderick D.V. Chow, ‘Parterre: Olympic Wrestling, National Identities, and the Performance of Antagonism’ in Tony Fisher and Eve Katsouraki (eds), Performing Antagonisms (London: Palgrave Macmillan) (forthcoming, under review).

Broderick D.V. Chow, ‘The Tickling Object: On Žižek and Comedy’, in Broderick D.V. Chow and Alex Mangold (eds), Žižek and Performance (London: Palgrave Macmillan, 2014)

Broderick D.V. and Darren O’Donnell, ‘Young Mammals: The Politics and Aesthetics of Long-Term Collaboration with Children in Mammalian Diving Reflex’s The Torontonians’, in Victor Emeljanow and Gillian Arrighi (eds), Entertaining Children: The Participation of Youth in the Entertainment Industry (London: Palgrave Macmillan, 2014), pp. 147-166.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: